Ros and I took the short walk to St Mary-le-Tower last night, for a performance of Johann Sebastian Bach’s St John Passion. Not a piece that I’d actually heard before, but I do enjoy his St Matthew Passion, so what could be the harm, right?
The Choir of St Mary-le-Tower were joined by the Tower Sinfonia and, whilst the acoustics seem somewhat flawed, it was enjoyable enough to reward the attention of a decent enough audience. Daniel Joy, appearing as The Evangelist, as well as the odd additional aria, held things together rather well in what is an arduous role, and his placement above and behind the choir (in the pulpit, no less) was well chosen.
St Mary-le-Tower has a solid choir, befitting of being Ipswich’s civic church, its own musical director - a bit of a step up from Creeting St Peter, I admit - and a series of lunchtime concerts (note to self, check for chamber music…). And funnily enough, I’d never been in the place, so the concert offered an opportunity to study the architecture highlighted a few weeks ago in an instalment of our course on the history of Ipswich.
So, what do I think of the St John Passion? On the whole, I still prefer the St Matthew Passion, which came three years later, but possibly benefits from a greater freedom to experiment. Nonetheless, it represents a pinnacle in the output of one of history’s greatest and most prolific composers, and I rather enjoyed it. And I note that there’s a splendid recent recording featuring the Monteverdi Choir and the English Baroque Soloists under the baton of John Eliot Gardner, whose recording of the St Matthew Passion I deeply enjoy.
So, live music adds another string to Ipswich life as I adapt to urban living. Who would have thought that what began as a means of simplifying and future proofing our lives would pay such additional dividends?…
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